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8 January 1836 – 25 June 1912. Most renowned painters.

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Lucas Cranach
The Princesses Sibylla, Emilia and Sidonia of Saxony (Detail of portrait of Sidonia

ID: 88061

Lucas Cranach The Princesses Sibylla, Emilia and Sidonia of Saxony (Detail of portrait of Sidonia
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Lucas Cranach The Princesses Sibylla, Emilia and Sidonia of Saxony (Detail of portrait of Sidonia


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Lucas Cranach

Kronach 1472-Weimar 1553 German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger,   Related Paintings of Lucas Cranach :. | Emilia and Sidonia | Die Heilige Dorothea | Lucas Cranach the Elder | Kardinal Albrecht von Brandenburg | AHunt in Honor of Charles V at Torgau Castle |
Related Artists:
Thomas Anshutz
American Realist Painter, 1851-1912 was an American painter and teacher. He studied art in Paris at the Academie Julian, and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. His most famous painting, The Ironworkers' Noontime (1880), depicts several workers on their break in the yard of a foundry. Painted near Wheeling, West Virginia, it is conceived in a naturalistic style similar to that of Eakins, although Eakins never painted industrial subjects.
Giuseppe Benassai
painted La parola di Dio in 1885
Charles Gifford Dyer
1851-1912






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